rama's
bio
Discography and collaborations:
1990
: “He’s a Nice Guy Tho…” Mr. Buzzsaw
and the Blasphemy Boys- ClutchMove Records
1992:
“Bliss” Mr. Buzzsaw
and the Blasphemy Boys- ClutchMove Records
1997:
“Numantra” Numantra- Nymantpa Records
1997:
“Circuit Noir” Compilation- United Endangered Front
1997:
“Resurgence” Compilation- Doppler Effect Records
1998:
Sitar session for Muzak Playing worldwide in elevators and McDonalds.
2001:
“A Little Strange” Rama Cordhead Recordings
2001:
“Evercleverneverlever” Rama Cordhead Recordings
2002:
“The Jolly Rama” Rama CordheadRecordings
2002:
“Transcendental Floss” Rama Cordhead Recordings
2003:
“The Modern Sitar” Rama Cordhead Recordings
2002: Several recordings done for Soundtrack
Express. A New York company that supplies music for tv and film.
2002:
Rama wrote and arranged the theme song for television show, "The
Home Detective", airing currently in Sacramento, CA and Reno,
NV.
2002:
Two tracks recorded for 615 Music. A Nashville Music Library for
tv and film usage.
2002:
Recorded a sitar track for collaboration with European Super Producer
Andrea Flego and Renowned Slovenian singer, flutist, Tinkara.
Album: “O*Range” Dallas Records.
2003:
Wrote and recorded a song with up and coming Alt/Country band
Whitton. Soon to be released.
2003:
Still plugging away on a number of projects of varying styles/genres.
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Rama
came into the world as Ramachandra das Cooksey. After a “made
for tv movie” style kidnapping and child retrieval, Ramachandra’s
name was changed to Chris Rama Douglas following his late mother’s
decision to leave the Hare Krishna movement.
Since the young age of four, Rama has been interested in music.
From spinning his mom’s Beatles and Doors 45’s on the
neon orange $10 thrift store phonograph, to singing along with Tom
Petty on the radio in the car on the way to school, mimicking his
closed mouth nasaly sounding singing style, Rama’s love of
music grew greater and deeper over the years.
In the 5th grade at the age of 9, Rama picked up the guitar and
within a month or so was packing stadiums all over the west coast
(Grand Junction, CO). At least at that age they (school recitals)
looked like stadiums. He played folk guitar until it became uncool
to play that style in the eyes of his scrutinizing 12 year old peers.
Rock and Roll took over. Electric guitar and posters of Yngwie Malmsteen
took over young Rama’s life for several years, Practicing
3 to 4 hours a day after school, and developing his shredding technique
was how he spent his time. Rama was in a number of high school bands,
performed at the talent show during high school with a couple of
musician friends, and became interested in classical guitar. The
rock and roll was being set to the side for a while, as rama developed
a technique for playing classical and Spanish style guitar at the
age of 16.
In his senior year, pal and fellow shredder Mark Moots (vocalist
for December: Earache Records) asked him to form a speed metal band
with him and bassist/vocalist Kyle Brewer and drummer Martin Aguilera.
Mr. Buzzsaw and the Blasphemy Boys was born. They pounded the bustling
Reno, NV metal scene for about 3 years, packing clubs and recording
demos all the way along.
In 1993, Rama decided to shave off most of his mid back length red
haired mane, sported a sikha and moved to Seattle. His interests
began to shift from heavy metal to dance music and industrial. Rama
joined Industrial metal band And Christ Wept, performed shows throughout
Seattle and recorded an album which was recently released on ADSR
Musicwerks in 2002.
A trip to India in 1996 led to Rama’s infatuation with the
sitar and world music. After getting back from India and mastering
the sitar within a month (at least good enough to perform at Seattle
clubs on), Rama formed the band, Numantra with long time friends
Dale Sadler on keys and drummer Martin Aguilera, which played all
over the Northwest for a couple of years. Numantra independently
released an album which sold out within a few months. Rama also
hooked up with local Seattle DJ: Unknown and formed the improv based
experimental dance group Texture.
After taking way too many drugs and nearly dying because of it,
Rama and his girlfriend packed up and moved to San Diego. There
he played with Genetic Engine and Rajumaju. From
there, Rama began recording music for film and tv. From his studio,
he recorded a number of pieces used today all over the world.
Rama’s interest in recording extends through today and he
is currently operating Cordhead
Recordings (studio and label) in the San Francisco bay area.
Rama is also putting together the finshing touches on his live performance
with group Ubzorb alongside partner Chris Wing. The future holds
the answers to what lies ahead for Rama. More recording, writing,
producing, and performing from this musical wizard are inevitable
and with each passing day in this industry, there is much to learn
and experiment with.
Keep listening…
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